Appreciating Episode 1: Grantleigh

In starting off this blog on the series, I mainly focused upon the exteriors, the actual places in Cricket St. Thomas, England, in which the episodes took place. But some readers may not be familiar with the series, and may never watch any of the episodes. So I thought I'd take a moment to summarize the episodes I've written about so far, and share with you why I like them.

In Episode 1: "Grantleigh," Richard Devere arrives at Grantleigh Manor estate. While he believes he will be shown the manor house, the estate agent, J. J. Anderson, is only offering him a tour of the small house, called The Old Lodge. As he intends to run his multinational grocery empire from his home, he needs a much bigger house. As he looks through the french doors at Grantleigh Manor, he is filled with admiration for the place. He's learned the the present owner, Martin fforbes-Hamilton, has just died. So he tells J. J. Anderson, "You're an estate agent: show me that house!" and marches across the fields.

Inside the manor, Audrey fforbes-Hamilton is holding the reception for her husband's funeral. In addition to hosting her friends, she also looks forward to addressing the estate's employees. She wants to assure them that the estate's grandeur is not in its past, but that she has bold plans for the future. Two key events end up disrupting her plans, however. 

From left: Richard Devere, J. J. Anderson,
Marjory Frobisher, and Audrey fforbes-Hamilton

The first is Richard Devere. He presses J. J. Anderson to introduce him to Audrey, but she's so preoccupied that she doesn't give him much time. He shares with her that he's also recently lost his spouse, but she cuts him off, thinking that, as she doesn't recognize him, he must be involved with the company catering the event.

The second disruption is the family lawyer, Arnold Plunkett. He keeps pressing Audrey for a conversation, and when she finally grants him this, he tells her that the estate is bankrupt. She cannot press forward with any of her plans to maintain and update the estate in keeping with Grantleigh's history and traditions. Instead, her husband's creditors are insisting she sell Grantleigh immediately.

Audrey concocts a plan to save the manor. She contacts all family members, no matter how distant, and begs them to pledge money so she can buy Grantleigh back. With this, she, her friend Marjory, and Arnold attend the auction.

While Arnold Plunkett had believed that the money Audrey raised would prove sufficient, he had not reckoned with the determination of Richard Devere. The grocery empire owner demonstrates that, while history and tradition matter, what rules the world now is money. He easily ups the bidding each time, until finally, the auctioneer's hammer falls, and Richard is the new owner of the manor. 

As Richard tells Audrey later, he had set his mind on Grantleigh, and determined that he would own it. The great estate, which had been in her family for four hundred years, is his now. He also has great plans for the place, but all will reflect his tastes, not hers. All the changes will address his current needs, regardless of how they sweep away history in the process. Marjory attempts to comfort Audrey after Richard leaves, by telling her, "At least he's English." But even that will turn out to be a lie in later episodes.

This episode highlights a number of themes, chief among them being the inevitability of change. It also introduces us to two highly driven people, in Richard and Audrey, who are perfect foils for each other. It shows us how suddenly our perceptions of the world, and our futures, can be overturned in an instant. Perhaps, most importantly, it reminds us that we are never alone: that other people out there love and care for us, and if approached properly, will help us out in times of need. For Audrey was not close to many of those who pledged her money to buy back Grantleigh. We'll meet one of those later in the series. But for now, that's my summary of Episode 1.

What are your thoughts on Episode 1? Did I miss any themes, or special scenes, that you feel deserve special attention?

Dragon Dave

P.S. To review the exterior filming locations for Episode 1, read:

Richard Devere's Dream House &

Audrey's Grand Design

Modernizing The Manor: Part 2

In Episode Four, "The Nation's Heritage," Richard Devere's desire to modernize (or functionalize, as he put it), met his demands for the moment. Audrey fforbes-Hamilton saw him ripping out a unique, neoclassical fireplace, and replacing it with a modern safe to hold his valuables, as a barbarous act. It's possible to modernize while honoring the past, and that's what Audrey attempted to communicate to him. But Richard owned the manor now, so he could do anything with it he wished. 

I saw a curious aspect of modernizing (or functionalizing) in one of the newer buildings on the Cricket St. Thomas estate. A men's restroom (or Toilet, as they say in England) had been thoroughly modernized, with dark wood paneling and zero-water urinals. Yet the design honored England's past with light fixtures in the shape of Bowler hats. 

For over a century, bowlers formed an essential part of one's attire. Along with other distinctive styles, bowlers defined one's sensibilities and place in society. An individual chose his hat carefully, as each style made a contemporary statement, and carried as much cultural heritage as an Adam fireplace. A man chose his hat carefully, and cared for it as he would a suit, tie, or pair of dress shoes.

In the early 1980s, when To The Manor Born was broadcast, men in England started to move away from such iconic, historic styles of hats. On each of my visits, I've searched department stores for a selection of these elegantly styled hats at reasonable prices. Instead, I've only found nice hats like Bowlers at specialty shops (which, naturally, also came with specialty prices). Today, people would rather spend their money on mass produced low-key bill caps displaying contemporary corporate, sports, or entertainment branding. Bowlers, along with other styles of well-made hats, have been relegated to costumers, not clothiers. So I thought it interesting that the current owners of the manor would modernize the manor to meet today's demands, while making such a nod to the past. 

Each writer tells his story with a message in mind. Peter Spence has stated that his intention for the series paralleled Richard's plans for the manor: to discuss how the old must constantly give way to the new. Yet in Audrey, he found a spokeswoman whose reverence for history, culture, and tradition made us care about the old ways, and wish to preserve them. That's what all great authors do. They show us two sides of any issue, and let us make up our own minds about what's truly important. They create a world in which this constant tension between old and new seems authentic and organic, so that we get caught up in the characters. Consequently, we come to love and respect what their characters care about. 

Dragon Dave

Modernizing The Manor: Part 1

In Episode Four, "The Nation's Heritage," Audrey fforbes-Hamilton observes a truck parked outside the manor from her drawing room window. When she picks up her binoculars, she sees workmen carrying out an old Adam fireplace. Although she never liked this fireplace, she objects to Richard Devere removing it from the manor she once owned. So she storms out of the old lodge, stomps across the field, and bursts into his office (while he's in conference) to decry his disdain for England's national heritage.

The neoclassical design of fireplace, associated with three brothers of the Adam family, suggests that this particular fireplace was installed in the manor between 1760 and 1795. In 1980, when this episode was made, the fireplace would have been roughly two centuries old. Or, to put it another way, as viewers in America had recently celebrated their nation's bicentennial, Richard was celebrating this Adam fireplace's bicentennial by carting it off to the local landfill. 

It's all too easy to dismiss Audrey's frequent criticisms of Richard as hypocritical. After all, Audrey often disposed of old pieces of her family's heritage. The thing is, Audrey always knew what she was getting rid of. She might not know the current market price for any particular piece, but she knew its history, and what it had meant to previous generations. To Richard, it was just an old fireplace. To Audrey, such a casual dismissal of the past threatened to strip everything from the manor that truly mattered.

Some people see little or no value in anything that does not address their present needs. Others would preserve their heritage, even at the cost of current effectiveness. History can enrich our lives, but preserving it shouldn't prevent us from achieving our best efforts each day. Where should draw the line between preservation and modernization? How best can we address the needs of today, while honoring the sacrifices, achievements, and traditions of previous generations? What do you stand on this issue? And how have such stands positively or negatively impacted your life?

Dragon Dave